History of the Kannada Literature- II

By Dr. (Mrs) Jyotsna Kamat

ಕೃಪೆ : Kamat.com

Veerashaivism and TheVachanas

There were Vachanakaras prior to Basavanna like Devara Dasimayya, Madara Channayya, and Sakalesha Madarasa. The revolutionary spirit and social awareness ushered in by Basavanna gave strong impetus to the composition

of Vachanas attracting large numbers of devotees who belonged to different strata of society. They gave expression to their own milieu, depicting imagery and symbolism revealing different professions to which he or she belonged.

Vachanas contain the thought and experience of Vachanakaras who strived for God realization through their own vocations. Vachanas are aphoristic in form and rhythmic in style and words. The language was the spoken word of the commoners. Vachana normally means spoken word or phrase. But now it came to indicate a special type of composition which was neither prose nor verse but pithy expression. The Vachanas do have rhythm, though non-metrical. Its style became immensely popular and has its own following till today.

Basaveshwara of Koodala

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Saint Poet Basaveswara
	Portrait of Basaveshwara, the Prince of Koodala

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King- sage Basavanna (a.k.a. Basaveshwara) stood for equality for all and dreamt of a casteless society. He criticized all forms of social injustice, condemned vehemently several superstitions and animal sacrifice, and taught that the path of devotion was the best way for self-realization. He advocated equal opportunity for women with men in all fields: social, religious, and economic. These reforms attracted devotees from the lower strata of society along with highly placed and educated people as well. Thus there were shoemakers (Madara Dhulayya), cowherds ( Ramanna ), tailors ( Sujikayakada Ramitande), basketmakers ( Medara Ketayya ), and a carpenter ( bachi Kayakada Basappa). All of them turned great devotees and Vachanakaras. Kayakave Kailasa --work is worship -- became the mantra. Their Vachanas born out of their respective vocations are full of imagery and liveliness.

Cripple me, father, that I may not go here and there, Blind me, father, that I may not look at this and that, Deafen me, father, that I may not hear anything else. Keep me at your men's feet looking for nothing else, O lord of the meeting rivers. by Basavanna Translated by A. K. Ramanujan

Akkamahadevi's Vachanas has a lyrical quality and direct personal appeal with rare poetic elements. The similes she chose have great mass appeal because they are true to life.

I love the Handsome One: He has no death decay nor form no place or side no end nor birthmarks. I love Him O mother. Listen. I love the Beautiful One with no bond nor fear no clan no land no landmarks So my lord, white as jasmine, is my husband. by Akkamahadevi Translated by A. K. Ramanujan

With the Vachana movement, Kannada language broke the traditions of court poetry and opened avenues to one and all who aspired to express his/her innersoul. The Vachanas became common man's literature, his/her ideal and his/her medium for the following century.